Mady Ménier, “Ipoustéguy”
Read more articles Mady Ménier: “Ipoustéguy” It was not until 1949 that he turned to sculpture. [Henri-Georges] Adam championed his work at the 1956 Salon de Mai. La Rose (plaster, 1m high), in which a hand embraces the void, is a prophetic work, yet it went...
Théophile Choquet, “The Call to Sculpture”
Read more articles Théophile Choquet: “The Call to Sculpture” [Scene: A sculptor’s studio. Perhaps Ipoustéguy’s.][When the audience enters, the actor is already on stage. He is warming up with a series of large, sweeping movements, breathing hard.]ACTOR: I...