Dieter Ruckhaberle

Dieter Ruckhaberle

Read more articles Dieter Ruckhaberle The same experience that moves us when we read Joyce’s Ulysses—that is exactly what it is—or Robert Musil’s The Man Without Qualities, is what moves us when we encounter Ipoustéguy’s work. It is not for everyone....

Mady Ménier, “Ipoustéguy”

Read more articles Mady Ménier: “Ipoustéguy” It was not until 1949 that he turned to sculpture. [Henri-Georges] Adam championed his work at the 1956 Salon de Mai. La Rose (plaster, 1m high), in which a hand embraces the void, is a prophetic work, yet it went...
Ipoustéguy
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